Noble savage in J. M. Coetzee`s Disgrace

الملخص EN

Analytically accounting, the noble savage as a literary term designates the sense of the lingering principles that survive, although fierce and feline, the sordid circumstances stop short of eradicating those principles that move momentum and persist being vanished ; it is first coined by Montaigne`s essay Of Cannibals in 1580, but it surges into prominence in the seventeenth century and then it is applied in Dryden's The Conquest of Granada.

Such an idea stems from Mrs.

Aphra Behn`s Oroonoko or The History of the Royal Slave in 1688,there is an eponymous hero who is of virtues, youth and beauty, in time he is acquainted with innocence and purity, in time he deplores the effects of modernity and the industrial revolution.

Consequently there prevails a shout to revert into nature, philosophy and doctrines that Rousseau reviewed in his Emile in 1762 in which he declares : "Everything is well when it comes fresh from the hands of the Maker " adds Rousseau " everything degenerates in the hands of man".

Moreover, Chateaubriand resorts to the noble savage concept and it heaves into being as influential on many writers in the late eighteenth century.

The romantic poetry was a part of the reaction against the main tenets of industrialism, materialism and capitalismi.

Although turbulent and drastic, the political and the religious stage bears the brunt of reflecting reality as it is, but some narrative lines give more shrifts to certain principles that exist after all and survive to be a lighthouse to those who fall victim to some defects in a community.